Ravana’s thunderous hymn to Shiva’s cosmic dance — drums pounding, serpents hissing, the Ganga whirling in his hair — one of the most powerful and rhythmic hymns in Sanskrit.
Traditionally composed by Ravana, king of Lanka
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Shiva Tandava Stotram
Son of Kali · Power of Shiva
0:005:40
Deity
Shiva
Type
Stotram
Verses
17
Language
Sanskrit
ShivaTandavaStotramLyricswithMeaning
Each line shows an easy way to say it, with its English meaning. Turn on the Sanskrit, the exact pronunciation or the word-by-word meaning whenever you want to go deeper.
Verse 1
जटाटवीगलज्जलप्रवाहपावितस्थले
Jatatavi Galajjala Pravaha Pavita Sthale
jaṭāṭavīgalajjalapravāhapāvitasthale
His neck made holy by the streams pouring from the forest of his matted hair,
गलेऽवलम्ब्य लम्बितां भुजङ्गतुङ्गमालिकाम् ।
Gale Valambya Lambitam Bhujanga Tunga Malikam
gale'valambya lambitāṃ bhujaṅgatuṅgamālikām
a great serpent hanging around his throat like a garland,
डमड्डमड्डमड्डमन्निनादवड्डमर्वयं
Damad Damad Damad Daman Ninadavad Damarvayam
ḍamaḍḍamaḍḍamaḍḍamanninādavaḍḍamarvayaṃ
his little drum sounding “damad-damad-damad-dam” —
चकार चण्डताण्डवं तनोतु नः शिवः शिवम् ॥ १ ॥
Chakara Chanda Tandavam Tanotu Nah Shivah Shivam
cakāra caṇḍatāṇḍavaṃ tanotu naḥ śivaḥ śivam
may Shiva, who danced this fierce Tandava, fill our lives with blessings.
Verse 2
जटाकटाहसम्भ्रमभ्रमन्निलिम्पनिर्झरी-
Jata Kataha Sambhrama Bhraman Nilimpa Nirjhari
jaṭākaṭāhasambhramabhramannilimpanirjharī-
In the deep bowl of his matted locks the river of the gods whirls and spins,
विलोलवीचिवल्लरीविराजमानमूर्धनि ।
Vilola Vichi Vallari Virajamana Murdhani
vilolavīcivallarīvirājamānamūrdhani
his head shining with her restless waves like trailing vines;
धगद्धगद्धगज्ज्वलल्ललाटपट्टपावके
Dhagad Dhagad Dhagaj Jvalal Lalata Patta Pavake
dhagaddhagaddhagajjvalallalāṭapaṭṭapāvake
on his forehead a fire blazes “dhagad-dhagad-dhagad,”
किशोरचन्द्रशेखरे रतिः प्रतिक्षणं मम ॥ २ ॥
Kishora Chandra Shekhare Ratih Pratikshanam Mama
kiśoracandraśekhare ratiḥ pratikṣaṇaṃ mama
and a young crescent moon is his crown — may my love for him grow every moment.
Verse 3
धराधरेन्द्रनन्दिनीविलासबन्धुबन्धुर-
Dharadharendra Nandini Vilasa Bandhu Bandhura
dharādharendranandinīvilāsabandhubandhura-
He delights in the playful grace of the mountain king’s daughter, Parvati,
स्फुरद्दिगन्तसन्ततिप्रमोदमानमानसे ।
Sphurad Diganta Santati Pramodamana Manase
sphuraddigantasantatipramodamānamānase
his mind rejoicing in the shining expanse of all directions;
कृपाकटाक्षधोरणीनिरुद्धदुर्धरापदि
Kripa Kataksha Dhorani Niruddha Durdharapadi
kṛpākaṭākṣadhoraṇīniruddhadurdharāpadi
his steady, compassionate glance holds back even unbearable misfortune —
क्वचिद्दिगम्बरे मनो विनोदमेतु वस्तुनि ॥ ३ ॥
Kvachid Digambare Mano Vinodam Etu Vastuni
kvaciddigambare mano vinodametu vastuni
may my mind find its joy in that sky-clad reality.
Verse 4
जटाभुजङ्गपिङ्गलस्फुरत्फणामणिप्रभा-
Jata Bhujanga Pingala Sphurat Phana Mani Prabha
jaṭābhujaṅgapiṅgalasphuratphaṇāmaṇiprabhā-
The tawny serpents in his hair flash light from the jewels on their hoods,
कदम्बकुङ्कुमद्रवप्रलिप्तदिग्वधूमुखे ।
Kadamba Kunkuma Drava Pralipta Digvadhu Mukhe
kadambakuṅkumadravapraliptadigvadhūmukhe
painting the faces of the goddesses of the directions as if with liquid saffron;
मदान्धसिन्धुरस्फुरत्त्वगुत्तरीयमेदुरे
Madandha Sindhura Sphurat Tvag Uttariya Medure
madāndhasindhurasphurattvaguttarīyamedure
he wears the gleaming hide of a maddened elephant as his shawl —
मनो विनोदमद्भुतं बिभर्तु भूतभर्तरि ॥ ४ ॥
Mano Vinodam Adbhutam Bibhartu Bhuta Bhartari
mano vinodamadbhutaṃ bibhartu bhūtabhartari
may my mind find wondrous joy in him, the lord who sustains all beings.
Verse 5
सहस्रलोचनप्रभृत्यशेषलेखशेखर-
Sahasra Lochana Prabhrity Ashesha Lekha Shekhara
sahasralocanaprabhṛtyaśeṣalekhaśekhara-
Flowers falling from the crowns of thousand-eyed Indra and all the gods
प्रसूनधूलिधोरणीविधूसराङ्घ्रिपीठभूः ।
Prasuna Dhuli Dhorani Vidhusara Anghri Pitha Bhuh
prasūnadhūlidhoraṇīvidhūsarāṅghripīṭhabhūḥ
dust his footstool grey with their pollen;
भुजङ्गराजमालया निबद्धजाटजूटकः
Bhujanga Raja Malaya Nibaddha Jata Jutakah
bhujaṅgarājamālayā nibaddhajāṭajūṭakaḥ
his coiled locks are tied with a garland made of the king of serpents —
श्रिये चिराय जायतां चकोरबन्धुशेखरः ॥ ५ ॥
Shriye Chiraya Jayatam Chakora Bandhu Shekharah
śriye cirāya jāyatāṃ cakorabandhuśekharaḥ
may he who wears the moon, friend of the chakora bird, bring us lasting good fortune.
Verse 6
ललाटचत्वरज्वलद्धनञ्जयस्फुलिङ्गभा-
Lalata Chatvara Jvalad Dhananjaya Sphulinga Bha
lalāṭacatvarajvaladdhanañjayasphuliṅgabhā-
With sparks from the fire blazing on the broad square of his forehead
निपीतपञ्चसायकं नमन्निलिम्पनायकम् ।
Nipita Pancha Sayakam Naman Nilimpa Nayakam
nipītapañcasāyakaṃ namannilimpanāyakam
he consumed Kama of the five arrows, and the king of the gods bows before him;
सुधामयूखलेखया विराजमानशेखरं
Sudha Mayukha Lekhaya Virajamana Shekharam
sudhāmayūkhalekhayā virājamānaśekharaṃ
his crown shines with the nectar-cool crescent of the moon —
महाकपालि सम्पदे शिरो जटालमस्तु नः ॥ ६ ॥
Maha Kapali Sampade Shiro Jatalam Astu Nah
mahākapāli sampade śiro jaṭālamastu naḥ
may that great skull-bearer, his head crowned with matted locks, bring us every blessing.
Verse 7
करालभालपट्टिकाधगद्धगद्धगज्ज्वल-
Karala Bhala Pattika Dhagad Dhagad Dhagaj Jvala
karālabhālapaṭṭikādhagaddhagaddhagajjvala-
On the fearsome plate of his forehead a fire roars “dhagad-dhagad,”
द्धनञ्जयाहुतीकृतप्रचण्डपञ्चसायके ।
Dhananjaya Ahuti Krita Prachanda Pancha Sayake
ddhanañjayāhutīkṛtapracaṇḍapañcasāyake
into which he offered fierce Kama, the five-arrowed, as an oblation;
धराधरेन्द्रनन्दिनीकुचाग्रचित्रपत्रक-
Dharadharendra Nandini Kuchagra Chitra Patraka
dharādharendranandinīkucāgracitrapatraka-
he alone is the artist who paints delicate leaf-designs on the bosom of Parvati —
प्रकल्पनैकशिल्पिनि त्रिलोचने रतिर्मम ॥ ७ ॥
Prakalpanaika Shilpini Trilochane Ratir Mama
prakalpanaikaśilpini trilocane ratirmama
in that three-eyed one my heart delights.
Verse 8
नवीनमेघमण्डलीनिरुद्धदुर्धरस्फुरत्-
Navina Megha Mandali Niruddha Durdhara Sphurat
navīnameghamaṇḍalīniruddhadurdharasphurat-
Dark as a moonless midnight hidden under fresh, heavy rain clouds
कुहूनिशीथिनीतमःप्रबन्धबद्धकन्धरः ।
Kuhu Nishithini Tamah Prabandha Baddha Kandharah
kuhūniśīthinītamaḥprabandhabaddhakandharaḥ
is his throat, which holds that deep darkness;
निलिम्पनिर्झरीधरस्तनोतु कृत्तिसिन्धुरः
Nilimpa Nirjhari Dharas Tanotu Kritti Sindhurah
nilimpanirjharīdharastanotu kṛttisindhuraḥ
he bears the river of the gods and wears the elephant’s hide —
कलानिधानबन्धुरः श्रियं जगद्धुरन्धरः ॥ ८ ॥
Kala Nidhana Bandhurah Shriyam Jagad Dhurandharah
kalānidhānabandhuraḥ śriyaṃ jagaddhurandharaḥ
lovely with the moon, carrier of the whole world’s burden: may he bring us prosperity.
Verse 9
प्रफुल्लनीलपङ्कजप्रपञ्चकालिमप्रभा-
Praphulla Nila Pankaja Prapancha Kalima Prabha
praphullanīlapaṅkajaprapañcakālimaprabhā-
His throat gleams with the dark beauty of fully opened blue lotuses,
a priceless jewel and a lump of earth as one, friend and enemy as one,
तृणारविन्दचक्षुषोः प्रजामहीमहेन्द्रयोः
Trinaravinda Chakshushoh Praja Mahi Mahendrayoh
tṛṇāravindacakṣuṣoḥ prajāmahīmahendrayoḥ
a blade of grass and lotus-eyed beauty as one, a common subject and an emperor as one —
समप्रवृत्तिकः कदा सदाशिवं भजाम्यहम् ॥ १२ ॥
Sama Pravrittikah Kada Sadashivam Bhajamyaham
samapravṛttikaḥ kadā sadāśivaṃ bhajāmyaham
when will I, seeing everything equally, worship the ever-auspicious Shiva?
Verse 13
कदा निलिम्पनिर्झरीनिकुञ्जकोटरे वसन्
Kada Nilimpa Nirjhari Nikunja Kotare Vasan
kadā nilimpanirjharīnikuñjakoṭare vasan
When will I live in a hollow among the groves beside the river of the gods,
विमुक्तदुर्मतिः सदा शिरःस्थमञ्जलिं वहन् ।
Vimukta Durmatih Sada Shirah Stham Anjalim Vahan
vimuktadurmatiḥ sadā śiraḥsthamañjaliṃ vahan
free of every wrong thought, my joined palms always raised above my head,
विमुक्तलोललोचनाललामभाललग्नकं
Vimukta Lola Lochana Lalama Bhala Lagnakam
vimuktalolalocanālalāmabhālalagnakaṃ
my restless eyes made still, fixed on the one with the sacred mark upon his brow,
शिवेति मन्त्रमुच्चरन् कदा सुखी भवाम्यहम् ॥ १३ ॥
Shiveti Mantram Uchcharan Kada Sukhi Bhavamyaham
śiveti mantramuccaran kadā sukhī bhavāmyaham
chanting the mantra “Shiva” — when will I be truly happy?
Verse 14
निलिम्पनाथनागरीकदम्बमौलमल्लिका-
Nilimpa Natha Nagari Kadamba Maula Mallika
nilimpanāthanāgarīkadambamaulamallikā-
Lovely with the jasmine woven into the hair of the maidens of Indra’s heavenly city,
निगुम्फनिर्भरक्षरन्मधूष्णिकामनोहरः ।
Nigumpha Nirbhara Ksharan Madhushnika Manoharah
nigumphanirbharakṣaranmadhūṣṇikāmanoharaḥ
enchanting with the honey that drips from those garlands —
तनोतु नो मनोमुदं विनोदिनीमहर्निशं
Tanotu No Mano Mudam Vinodinim Aharnisham
tanotu no manomudaṃ vinodinīmaharniśaṃ
may the radiance of his body bring our minds delight, day and night —
परश्रियः परं पदं तदङ्गजत्विषां चयः ॥ १४ ॥
Para Shriyah Param Padam Tad Angaja Tvisham Chayah
paraśriyaḥ paraṃ padaṃ tadaṅgajatviṣāṃ cayaḥ
that shining light, the highest home of supreme beauty.
Verse 15
प्रचण्डवाडवानलप्रभाशुभप्रचारणी
Prachanda Vadavanala Prabha Shubha Pracharani
pracaṇḍavāḍavānalaprabhāśubhapracāraṇī
Blazing like the fierce fire beneath the ocean, spreading blessings everywhere,
महाष्टसिद्धिकामिनीजनावहूतजल्पना ।
Mahashta Siddhi Kamini Janavahuta Jalpana
mahāṣṭasiddhikāminījanāvahūtajalpanā
calling forth the eight great spiritual powers like attendant maidens,
विमुक्तवामलोचनाविवाहकालिकध्वनिः
Vimukta Vama Lochana Vivaha Kalika Dhvanih
vimuktavāmalocanāvivāhakālikadhvaniḥ
ringing out like the joyful sound at the wedding of lovely-eyed Parvati —
शिवेति मन्त्रभूषणा जगज्जयाय जायताम् ॥ १५ ॥
Shiveti Mantra Bhushana Jagaj Jayaya Jayatam
śiveti mantrabhūṣaṇā jagajjayāya jāyatām
may the word “Shiva,” jewel of all mantras, bring victory to the whole world.
Closing verse 1 (Phala Shruti)
इमं हि नित्यमेवमुक्तमुत्तमोत्तमं स्तवं
Imam Hi Nityam Evam Uktam Uttamottamam Stavam
imaṃ hi nityamevamuktamuttamottamaṃ stavaṃ
Whoever daily recites, remembers or speaks this supreme hymn, just as it is given here,
पठन्स्मरन्ब्रुवन्नरो विशुद्धिमेति सन्ततम् ।
Pathan Smaran Bruvan Naro Vishuddhim Eti Santatam
paṭhansmaranbruvannaro viśuddhimeti santatam
is purified for ever;
हरे गुरौ सुभक्तिमाशु याति नान्यथा गतिं
Hare Gurau Subhaktim Ashu Yati Nanyatha Gatim
hare gurau subhaktimāśu yāti nānyathā gatiṃ
they quickly come to true devotion to Shiva, the great teacher — there is no other path,
विमोहनं हि देहिनां सुशङ्करस्य चिन्तनम् ॥ १६ ॥
Vimohanam Hi Dehinam Sushankarasya Chintanam
vimohanaṃ hi dehināṃ suśaṅkarasya cintanam
for thinking of the gracious Shankara frees every embodied being from delusion.
Closing verse 2 (Phala Shruti)
पूजावसानसमये दशवक्त्रगीतं
Pujavasana Samaye Dashavaktra Gitam
pūjāvasānasamaye daśavaktragītaṃ
Whoever, at the close of worship, recites this hymn sung by ten-headed Ravana,
यः शम्भुपूजनपरं पठति प्रदोषे ।
Yah Shambhu Pujana Param Pathati Pradoshe
yaḥ śambhupūjanaparaṃ paṭhati pradoṣe
devoted to Shambhu, at the twilight hour of Pradosha —
तस्य स्थिरां रथगजेन्द्रतुरङ्गयुक्तां
Tasya Sthiram Ratha Gajendra Turanga Yuktam
tasya sthirāṃ rathagajendraturaṅgayuktāṃ
to them Shambhu gives lasting prosperity, rich with chariots, elephants and horses,
लक्ष्मीं प्रसादसमये प्रददाति शम्भुः ॥
Lakshmim Prasada Samaye Pradadati Shambhuh
lakṣmīṃ prasādasamaye pradadāti śambhuḥ
as his gift of grace.
✦ ✦ ✦
AboutShivaTandavaStotram
The Shiva Tandava Stotram is a hymn to Shiva’s tandava, the wild cosmic dance through which he destroys and recreates the universe. It is famous for its sound as much as its meaning: long, rolling compound words and drum-like syllables — ḍamaḍ-ḍamaḍ, dhagad-dhagad, dhimid-dhimid — make the verses feel like the dance itself. Every line follows the same galloping rhythm (the pañcacāmara metre), which is why it is so thrilling to chant and so popular in music.
The hymn paints Shiva in vivid detail: the Ganga crashing through the forest of his matted hair, serpents hissing around his neck, a fire blazing in his third eye, the crescent moon on his crown, his throat dark with the poison he swallowed to save the world. Alongside the fierce imagery are tender lines of longing — “when will I be happy, chanting the name of Shiva?”
By tradition the hymn was composed by Ravana, the ten-headed king of Lanka, who was also a great scholar and a devoted worshipper of Shiva. The final verses promise that anyone who recites it at the twilight hour of Pradosha will receive lasting prosperity and grace.
✦ ✦ ✦
TheStoriesInsidetheHymn
RavanaunderMountKailash
Proud of his strength, Ravana decided to lift Mount Kailash itself and carry it home to Lanka. As the mountain shook, Shiva simply pressed down with his big toe — and Ravana was pinned beneath it, crying out in pain.
Trapped, Ravana began to sing Shiva’s praises, pouring out verse after verse of this hymn. Moved by his devotion, Shiva released him and gave him the name Ravana, “the one who roared,” along with a divine sword. The story shows how even great pride can turn into devotion.
WhattheTandavameans
Shiva’s tandava is not just a dance of destruction. In the image of Nataraja, the Lord of Dance, it shows five cosmic acts at once: creation (the drum in his hand), preservation (his raised, blessing hand), destruction (the fire), concealment (his foot pressing down the demon of ignorance) and grace (his lifted foot, offering release).
Every rhythm of the universe — atoms, seasons, breath, birth and death — is pictured as part of that one endless dance.
✦ ✦ ✦
HowtoChantShivaTandavaStotram
When to chant
✦Pradosham, the evening twilight on the 13th day of each lunar fortnight — the hymn itself praises chanting at Pradosha
✦Mondays, Maha Shivaratri and the month of Shravan
✦At the end of evening worship
✦Whenever you need energy, courage or to break through heaviness
How many times
Once through is a full practice. Learn it in parts — two or three verses at a time — before attempting the whole hymn.
1
Read the meaning of the first few verses before you chant them.
2
Listen to the recording and tap along to the beat — each line has the same galloping rhythm.
3
Chant slowly at first, one line at a time, using the easy reading. Speed comes later.
4
Use “Exact pronunciation” to check the long compound words.
5
Finish with the closing verses and sit for a moment with the energy of the hymn.
✦ ✦ ✦
PronunciationGuide
The sounds that trip people up most in this hymn, and how to say them.
jaṭāṭavī
The ṭ sounds are said with the tongue curled back: ja-TAA-ta-vee.
ḍamaḍḍamaḍ…
Like a drumbeat: dum-ud-dum-ud-dum-ud-dum. Keep it crisp and even.
dhagaddhagad…
Breathy “dh”: dhug-ud-dhug-ud. It imitates the crackle of fire.
caṇḍatāṇḍavaṃ
“c” is “ch”: chun-da-taan-da-vum.
kṣ — pratikṣaṇaṃ
Said “ksh”: pra-ti-ksha-num.
śivaḥ śivam
“Shi-vah shi-vum” — the first is “Shiva,” the second means “auspiciousness.”
By tradition it was composed by Ravana, the king of Lanka, while he was trapped under Mount Kailash. Ravana is remembered as both a great scholar and a devoted worshipper of Shiva.
WhatdoesShivaTandavaStotrammean?
It means “hymn of Shiva’s Tandava.” The tandava is Shiva’s fierce cosmic dance of destruction and renewal, and the hymn describes and praises it.
WhenshouldtheShivaTandavaStotrambechanted?
The closing verse recommends chanting it at Pradosha, the evening twilight. Mondays, Maha Shivaratri and the month of Shravan are also popular.
Whatarethebenefitsofchantingit?
The closing verse says Shiva grants lasting prosperity and grace to those who recite it at twilight. Many people chant it for energy, courage and focus, and to feel close to Shiva.
Whyisitsohardtopronounce?
It uses very long Sanskrit compound words and drum-like sounds to imitate the dance. Learn it slowly, two or three verses at a time, using the easy reading and the recording.
Howmanyversesdoesithave?
Fifteen main verses plus two closing verses (phala shruti) describing the benefits of reciting it — seventeen in all in the most common version.