Shiva meditating at the centre of a circle of the five elements — earth and flowers, a swirling stream of water, a ring of fire, wind and clouds, and open starry space
ShivaStotram

Shiva Panchakshara Stotram

Lyrics · Meaning · Audio

Five verses for the five sacred syllables of Na-Ma-Shi-Va-Ya — each verse paints a portrait of Shiva and ends by bowing to him as one syllable of his great mantra.

Attributed to Adi Shankaracharya

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Shiva Panchakshara Stotram

Son of Kali · Power of Shiva

0:005:35
Deity
Shiva
Type
Stotram
Verses
6
Language
Sanskrit

Shiva Panchakshara Stotram Lyrics with Meaning

Each line shows an easy way to say it, with its English meaning. Turn on the Sanskrit, the exact pronunciation or the word-by-word meaning whenever you want to go deeper.

Verse 1 — Na

नागेन्द्रहाराय त्रिलोचनाय

Nagendra Haraya Trilochanaya

nāgendrahārāya trilocanāya

To the one who wears the king of serpents as a garland, the three-eyed one,

    भस्माङ्गरागाय महेश्वराय ।

    Bhasmanga Ragaya Maheshvaraya

    bhasmāṅgarāgāya maheśvarāya

    whose body is smeared with sacred ash, the great lord,

      नित्याय शुद्धाय दिगम्बराय

      Nityaya Shuddhaya Digambaraya

      nityāya śuddhāya digambarāya

      the eternal, the pure, who is clothed only in the sky —

        तस्मै नकाराय नमः शिवाय ॥ १ ॥

        Tasmai Na-Karaya Namah Shivaya

        tasmai nakārāya namaḥ śivāya

        to that Shiva, who is the syllable Na, I bow.

          Verse 2 — Ma

          मन्दाकिनीसलिलचन्दनचर्चिताय

          Mandakini Salila Chandana Charchitaya

          mandākinīsalilacandanacarcitāya

          Anointed with the waters of the heavenly Ganga and with sandalwood paste,

            नन्दीश्वरप्रमथनाथमहेश्वराय ।

            Nandishvara Pramatha Natha Maheshvaraya

            nandīśvarapramathanāthamaheśvarāya

            the great lord, master of Nandi and of his joyful attendants,

              मन्दारपुष्पबहुपुष्पसुपूजिताय

              Mandara Pushpa Bahu Pushpa Supujitaya

              mandārapuṣpabahupuṣpasupūjitāya

              lovingly worshipped with coral-tree blossoms and countless flowers —

                तस्मै मकाराय नमः शिवाय ॥ २ ॥

                Tasmai Ma-Karaya Namah Shivaya

                tasmai makārāya namaḥ śivāya

                to that Shiva, who is the syllable Ma, I bow.

                  Verse 3 — Shi

                  शिवाय गौरीवदनाब्जवृन्द-

                  Shivaya Gauri Vadanabja Vrinda

                  śivāya gaurīvadanābjavṛnda-

                  To the auspicious one — like the sun to the lotus of Gauri’s face,

                    सूर्याय दक्षाध्वरनाशकाय ।

                    Suryaya Dakshadhvara Nashakaya

                    sūryāya dakṣādhvaranāśakāya

                    making it bloom — the one who ended Daksha’s sacrifice,

                      श्रीनीलकण्ठाय वृषध्वजाय

                      Shri Nilakanthaya Vrishadhvajaya

                      śrīnīlakaṇṭhāya vṛṣadhvajāya

                      the glorious blue-throated one, whose banner bears the bull —

                        तस्मै शिकाराय नमः शिवाय ॥ ३ ॥

                        Tasmai Shi-Karaya Namah Shivaya

                        tasmai śikārāya namaḥ śivāya

                        to that Shiva, who is the syllable Shi, I bow.

                          Verse 4 — Va

                          वसिष्ठकुम्भोद्भवगौतमार्य-

                          Vasishtha Kumbhodbhava Gautamarya

                          vasiṣṭhakumbhodbhavagautamārya-

                          Worshipped by Vasishtha, by Agastya the pot-born, by Gautama and other noble

                            मुनीन्द्रदेवार्चितशेखराय ।

                            Munindra Devarchita Shekharaya

                            munīndradevārcitaśekharāya

                            sages and by the gods, who bow before his crowned head,

                              चन्द्रार्कवैश्वानरलोचनाय

                              Chandrarka Vaishvanara Lochanaya

                              candrārkavaiśvānaralocanāya

                              whose three eyes are the moon, the sun and fire —

                                तस्मै वकाराय नमः शिवाय ॥ ४ ॥

                                Tasmai Va-Karaya Namah Shivaya

                                tasmai vakārāya namaḥ śivāya

                                to that Shiva, who is the syllable Va, I bow.

                                  Verse 5 — Ya

                                  यक्षस्वरूपाय जटाधराय

                                  Yaksha Svarupaya Jatadharaya

                                  yakṣasvarūpāya jaṭādharāya

                                  To the one who appears as the mysterious yaksha, who wears matted locks,

                                    पिनाकहस्ताय सनातनाय ।

                                    Pinaka Hastaya Sanatanaya

                                    pinākahastāya sanātanāya

                                    who holds the Pinaka bow, the eternal one,

                                      दिव्याय देवाय दिगम्बराय

                                      Divyaya Devaya Digambaraya

                                      divyāya devāya digambarāya

                                      the divine, the shining god, clothed only in the sky —

                                        तस्मै यकाराय नमः शिवाय ॥ ५ ॥

                                        Tasmai Ya-Karaya Namah Shivaya

                                        tasmai yakārāya namaḥ śivāya

                                        to that Shiva, who is the syllable Ya, I bow.

                                          Closing verse (Phala Shruti)

                                          पञ्चाक्षरमिदं पुण्यं

                                          Panchaksharam Idam Punyam

                                          pañcākṣaramidaṃ puṇyaṃ

                                          Whoever recites this holy hymn of the five syllables

                                            यः पठेच्छिवसन्निधौ ।

                                            Yah Pathech Chiva Sannidhau

                                            yaḥ paṭhecchivasannidhau

                                            in the presence of Shiva

                                              शिवलोकमवाप्नोति

                                              Shivalokam Avapnoti

                                              śivalokamavāpnoti

                                              reaches the realm of Shiva

                                                शिवेन सह मोदते ॥

                                                Shivena Saha Modate

                                                śivena saha modate

                                                and rejoices there together with Shiva.

                                                  About Shiva Panchakshara Stotram

                                                  The Shiva Panchakshara Stotram is a short, musical hymn built on the five syllables of the mantra Namah Shivaya. There is one verse for each syllable: the first verse ends “to that Shiva who is the syllable Na, I bow,” the second “who is Ma,” and so on through Shi, Va and Ya. Many verses also begin with their own syllable, so the whole mantra is woven through the hymn.

                                                  Each verse is a vivid portrait. Shiva wears the king of serpents as a garland and sacred ash as his only clothing; he is bathed in the waters of the heavenly Ganga; he is the sun that makes Parvati’s lotus face bloom; his three eyes are the moon, the sun and fire. Learning the hymn is like learning to recognise Shiva by his features.

                                                  The stotram is traditionally attributed to Adi Shankaracharya, the 8th-century philosopher who also composed many devotional hymns. It is one of the most commonly sung Shiva hymns in homes and temples, especially on Mondays and during Shravan.

                                                  The Stories Inside the Hymn

                                                  One syllable, one verse

                                                  Na, Ma, Shi, Va, Ya are traditionally linked to earth, water, fire, air and space. As you move through the five verses you are, symbolically, moving from the densest element to the subtlest — from solid ground to open sky.

                                                  That is why the hymn is often chanted as a meditation in itself, not only as praise: each verse is a step inward.

                                                  The mysterious yaksha

                                                  Verse 5 calls Shiva yakṣa-svarūpa, “the one who appears as a yaksha.” It recalls a story from the Kena Upanishad. After a great victory, the gods grew proud. A mysterious spirit (a yaksha) appeared before them, and placed a single blade of grass on the ground.

                                                  Agni, god of fire, could not burn it. Vayu, god of wind, could not move it. The yaksha vanished, and the goddess Uma appeared to explain: it was the Supreme itself, whose power alone had won the gods their victory. Shiva as the yaksha is the divine that humbles all pride.

                                                  How to Chant Shiva Panchakshara Stotram

                                                  When to chant

                                                  • ✦Mondays, Shiva’s traditional day
                                                  • ✦Pradosham twilight, Maha Shivaratri and the month of Shravan
                                                  • ✦During abhishekam, while offering water or milk to a Shiva Linga
                                                  • ✦As a daily evening prayer

                                                  How many times

                                                  Once through is complete. Chanting it three times, or 11 times on special days, is common.

                                                  1. 1

                                                    Sit before a Shiva Linga or image of Shiva, or simply picture him in meditation.

                                                  2. 2

                                                    Listen to the recording once with the English meaning on.

                                                  3. 3

                                                    Chant verse by verse. At the end of each verse, pause on its syllable — Na, Ma, Shi, Va, Ya — and feel its element.

                                                  4. 4

                                                    Close with the final verse and a few rounds of Om Namah Shivaya.

                                                  5. 5

                                                    Sit quietly for a moment before getting up.

                                                  Pronunciation Guide

                                                  The sounds that trip people up most in this hymn, and how to say them.

                                                  trilocanāya

                                                  The “c” is “ch”: tri-lo-cha-naa-ya.

                                                  bhasmāṅga

                                                  The ṅ is the “ng” of “sing”: bhas-maang-ga.

                                                  śuddhāya

                                                  “sh” sound and a breathy “dh”: shud-dhaa-ya.

                                                  vṛṣa

                                                  ṛ is a short rolled “ri”, ṣ is “sh”: vri-sha.

                                                  nakārāya, makārāya…

                                                  “the syllable na”: na-kaa-raa-ya. Stress the long “aa” sounds.

                                                  Power of Shiva by Son of Kali

                                                  The music

                                                  Power of Shiva

                                                  by Son of Kali

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                                                  Frequently Asked Questions

                                                  What does Shiva Panchakshara Stotram mean?

                                                  Panchakshara means “five syllables” and stotram means “hymn of praise.” It is a hymn in five verses, one for each syllable of Na-Ma-Shi-Va-Ya, the heart of the mantra Om Namah Shivaya.

                                                  Who wrote the Shiva Panchakshara Stotram?

                                                  It is traditionally attributed to Adi Shankaracharya, the 8th-century philosopher and saint.

                                                  What are the benefits of chanting it?

                                                  The closing verse says that whoever recites it near Shiva reaches Shiva’s realm and rejoices with him. Traditionally it is chanted for peace, devotion and purification; many people find it a calm, centring prayer.

                                                  When is the best time to chant it?

                                                  Mondays, Pradosham, Maha Shivaratri and the month of Shravan are the most traditional times, but it can be chanted any day.

                                                  How is it connected to Om Namah Shivaya?

                                                  It is a poetic expansion of that mantra. Each verse honours one of its five syllables, so chanting the hymn is like chanting Om Namah Shivaya slowly, with a meditation on each syllable.

                                                  Text: Traditional public-domain Sanskrit text, attributed to Adi Shankaracharya (as in Shankaracharya’s collected stotras, Sanskrit Wikisource). Easy reading, transliteration and English translation written for the Jaguar Medicine Tribe Mantra Library.

                                                  Music: Recordings by Son of Kali, produced with AI-assisted vocals and instrumentation.

                                                  Note: Benefits described here are traditional beliefs, shared for understanding — not medical or guaranteed outcomes.